Healing for Hollywood
A Boost for Broadway
Soaring for Singers
Download Phyllis' Brochure for Entertainers. (PDF)
As part of my healing work, I created the “Energy Elevation Process” for performers, which can impact the field of entertainment in a profound way. Here is what I can do using this process and how it will help both performers and audiences:
I am able to release negative energies from a person "mentally and
emotionally" to help performers be more effective in their performance, less
distracted by negative thoughts and feelings that were prevalent in their
consciousness prior to the performance. I am able to help people let go of
fears, worries, anxieties... anything bothering them or making them feel down.
This would help performers tremendously in letting go of their own personal
agenda, in order to be more present and spontaneous in their artistic role.
In addition, I am able to "raise the frequencies" of the performers' physical
and subtle bodies and increase their "Level of Light," the amount of Higher
consciousness, Light, or Spiritual energy they are able to bring through. What this means is that the person starts to function at a
higher level, feeling more uplifted, more inspired, more in tune with his or her
"Higher Spiritual Self," which allows the person to give a maximally inspired,
uplifting, and soul-stirring performance.
For Movie Productions: By being "cleared" and "uplifted" in this way on an
ongoing basis, the actors will be free to give their best and most inspired
performance possible. A script can be great, but if the performers are not as
inspiring and uplifting as possible, a movie production, no matter how large the
budget, can fall flat on its face. Read More...
For Theatrical Performances: In receiving this clearing and uplifting, the
actors become free to give their best performance possible, and of course, all
benefit from this: the audience who receives the maximum enjoyment possible,
the actors who get better reviews, more accolades for their performance, and
more possibilities for advancement and recognition in their careers, and the
company producing the show which will benefit financially from the greater
success of the performance.
For Singers Cutting Recordings (individually or in group): In receiving
the clearing and uplifting that my work provides, the singer will be as "high"
and uplifted as possible, thus creating the best recording possible, with the
greatest likelihood of success. When a performer goes into a recording studio
where there is no audience to entertain or be energized by, he or she often has
a more difficult time reaching the same heights of inspiration and energy.
Often, the recording of a show or piece of music can't compare to the live
performance for this reason. My work becomes imperative in this case, helping
the performer reach his or her maximum capability to be uplifted and inspired,
thus helping their recording to be as uplifting and inspirational as possible to
"I have been a stage singer and performer for many years. I first met Phyllis after a theatre production that I had performed in. Phyllis came to the show many times and every time she did it was like a party. The show was high energy, and the crowds were having a great time, giving us so much energy in return. After speaking with Phyllis she told me about her work in energy and telepathic healing. She described being able to lift away what may be burdening performers so that they can be at their best, and also lifting away negative energy from audience members as well so that they can fully enjoy the production.
I am not a religious or superstitious person. I didn't believe in this kind of "work", or the validity of what she described at all. However, she struck me as such a kind, positive person who truly wishes the best for those around her, and there is certainly nothing wrong with that! I enjoyed seeing her at multiple theatre productions.
After a time though, it became harder and harder to blame it on coincidence. The theatre schedule can be very taxing physically, vocally, and emotionally at times. But whenever Phyllis attended, I always felt at my best, and those in attendance seemed so joyful and receptive. One particular experience had me kind of amazed. I was performing in the King and I (a 3 hour show) and we did 6 shows a week, with two shows on Saturday. One particular Saturday evening I had friends and family who had flown in from out of town who had never seen me perform onstage before. My voice was tired and stressed and after the Saturday matinee I was almost hoarse. One of the pit musicians asked how I was going to get through another show. I really didn't know! I sat in the dressing room and cried my eyes out during the dinner break. Finally, I had to pull myself together. The show must go on. I thought I would just have to focus on the storytelling, and hope I had enough voice to at least hit the notes.
Not long before curtain time I got a "second wind", some new-found energy and determination. When I sang my first number I was surprised at how crystal clear my voice was. And it held on throughout the whole production. There was so much energy and focus among the cast. It was an intense show and the audience was on the edge of their seat. Cast members backstage at intermission were commenting on how special this show was. It was a magical performance. I was so happy and relieved.
When I came out to the lobby to greet my family-there was Phyllis! I almost fell over in disbelief. I did not know she was there but I had felt her energy. She has made me a believer!"
- "When Phyllis did her process for me, I never sang better in my life. It was like an angel took over my voice. My voice was so pure and clear. All performers could benefit from Phyllis' incredible work!"
—D.L. Professional Singer/Vocalist